PITTONI, Giambattista
Italian Rococo Era Painter, 1687-1767 Italian painter and draughtsman. With Giambattista Tiepolo and Piazzetta, he was the most representative history painter of the Venetian Rococo. Besides altarpieces for Venetian and other churches as well as devotional images for private clients on both sides of the Alps, he painted subjects from mythology and Classical literature for collectors and connoisseurs in a Rococo idiom all his own; it is these secular pictures for which he is best known. Zava Boccazzi's catalogue raisonn of Pittoni's paintings (1979) includes 247 extant autograph works and 117 paintings now lost, destroyed or untraced. Binion's catalogue raisonn? of the artist's drawings (1983) lists 304 sheets. Pittoni's total output must have been far larger, as is evident from the drawings, many of which are studies for unknown works. For instance, Pittoni must occasionally have painted decorations for secular buildings and palazzi, probably in fresco, though none has yet come to light, with the notable exception of the few frescoes with scenes from the Life of Diana, painted in 1727 in the palazzetto Widman in Bagnoli di Sopra near Padua.
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PITTONI, Giambattista Annunciation ery oil painting


Annunciation ery
1758 Oil on canvas, 153 x 206 cm Gallerie dell'Accademia, Venice
Painting ID::  8555 		PITTONI, Giambattista
Annunciation ery
1758 Oil on canvas, 153 x 206 cm Gallerie dell'Accademia, Venice
   
   
     
PITTONI, Giambattista Death of Sophonisba g oil painting


Death of Sophonisba g
Oil on canvas, 165 x 214 cm Pushkin Museum, Moscow
Painting ID::  8557 		PITTONI, Giambattista
Death of Sophonisba g
Oil on canvas, 165 x 214 cm Pushkin Museum, Moscow
   
   
     
PITTONI, Giambattista Christ giving the Keys of Paradise to St Peter (mk05) oil painting


Christ giving the Keys of Paradise to St Peter (mk05)
Canvas 32 1/4 x 16 1/2''(82 x 42 cm)Model for an altarpiece Early collection IVN
Painting ID::  20644 		PITTONI, Giambattista
Christ giving the Keys of Paradise to St Peter (mk05)
Canvas 32 1/4 x 16 1/2''(82 x 42 cm)Model for an altarpiece Early collection IVN
   
   
     
PITTONI, Giambattista Polyxenes Sacrificing to the Gods of Achilles (mk05) oil painting


Polyxenes Sacrificing to the Gods of Achilles (mk05)
Canvas 22 x 38 1/4''(56 x 97 cm)Like the pendant,which follows this is an autograph replica of a picture in the collection of the Palazzo Taverna,Rome Early collection INV
Painting ID::  20645 		PITTONI, Giambattista
Polyxenes Sacrificing to the Gods of Achilles (mk05)
Canvas 22 x 38 1/4''(56 x 97 cm)Like the pendant,which follows this is an autograph replica of a picture in the collection of the Palazzo Taverna,Rome Early collection INV
   
   
     
PITTONI, Giambattista The Continence of Scipio (mk05) oil painting


The Continence of Scipio (mk05)
Canvas 22 x 38 1/4''(56 x 97 cm)Early collection INV
Painting ID::  20646 		PITTONI, Giambattista
The Continence of Scipio (mk05)
Canvas 22 x 38 1/4''(56 x 97 cm)Early collection INV
   
   
     
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     PITTONI, Giambattista
     Italian Rococo Era Painter, 1687-1767 Italian painter and draughtsman. With Giambattista Tiepolo and Piazzetta, he was the most representative history painter of the Venetian Rococo. Besides altarpieces for Venetian and other churches as well as devotional images for private clients on both sides of the Alps, he painted subjects from mythology and Classical literature for collectors and connoisseurs in a Rococo idiom all his own; it is these secular pictures for which he is best known. Zava Boccazzi's catalogue raisonn of Pittoni's paintings (1979) includes 247 extant autograph works and 117 paintings now lost, destroyed or untraced. Binion's catalogue raisonn? of the artist's drawings (1983) lists 304 sheets. Pittoni's total output must have been far larger, as is evident from the drawings, many of which are studies for unknown works. For instance, Pittoni must occasionally have painted decorations for secular buildings and palazzi, probably in fresco, though none has yet come to light, with the notable exception of the few frescoes with scenes from the Life of Diana, painted in 1727 in the palazzetto Widman in Bagnoli di Sopra near Padua.

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